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  • Works
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  • Performance-Videos
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DNA diagram seen from above. Peas, lentils, barley, broad beans and earth. 3m diameter
Casa América, Madrid
Centro Humboldt para el cambio climático. Nicaragua
Killing Fields, curated by Berta Sichel
Untitled, 2017. Rice, soya beans and corn. 4m diameter
Impulse, 2017. Video-installation. Variable dimensions
X Bienal Centroamericana
Bienal de Uruguay
I Bienal de Cartagena, Colombia
Curated by Berta Sichel
55ava Biennale di Venezia
Vitalis. Chloro-Sanguis, 2013. 55ava Biennale de Venezia, Italia.
Vitalis. Chloro-Sanguis, 2013. 55ava Biennale de Venezia, Italia.
8 Bienal do Mercosul
8 Bienal do Mercosul
Preludio, 2012. 8va Bienal do Mercosul
All under Control, 2011. Beans and stones outdoor. 3m diameter
All under Control, 2011 (after a month). Bean plants and stones outdoor. 3m diameter
Errare humanum est, 2011. Rice, corn and white beans. 5x 4m
Pop Corn, 2010. Variable dimensions
GMO, 2010. Rice and beans. 280cm diameter
Narciso, 2010. Mirrors, grass and water. Variable dimensions
MAD Museum New York
Ouroboro, 2010. Rice and beans. 2.20 x 2.20m
x Bienal de La Habana
Here, 2008. Beans and stones. 3m diameter
Mirror, 2008. Grass and water. 4.5 m diameter
Guanacaste, 2008. Rice and beans. 3m diameter
Eat, 2008. Corn. 2.20 x 3m
Fiat Panic, 2008. Corn and beans. 5,40 m diameter
Estrecho Dudoso. Curated by Virginia Pérez Ratton
Oackland Biennial. New Zealand
Bio Hazard, 2007. Corn, beans and rice. 4m diameter
For Sale-ism, 2006. Grass, cement and poles. Variable dimensions
Collateral Damage, 2005. Intervention in the grass. 5 x 5m
Copyright, 2005. Corn, rice and beans. 3m diameter
Multifunctional, 2005. Intervened electric floor scrubber with rubber nipples
Money Talks, 2003. Rice and beans. 3 x 3m

Lucía Madriz´s work must be understood within the new context in the art world: biocolonialism - or a new frontier of colonialism that in recent decades has contributed to contemporary art a universe of images and ideas not existing in the art world. .. And today when there is so much talk about art and the future, or the future of art and human survival, sustainability is the only way to look toward the future. Whether it is humanity or art.

Berta Sichel, curatorial text for Killing Fields´exhibit presented at Galería Freijo, Madrid.

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